Ellen Reid and Roxie Perkins’s new opera, about events still in progress, finds fault and complicity in every player of a global blame game.

As Adès premieres an orchestral work, “The Exterminating Angel” is receiving something rare in contemporary opera: a new production.

Loriod, the vessel for Olivier Messiaen’s piano works, had a rich musical life beyond him, which is captured in a new set of recordings.

In his “Europeras,” Cage dismantled centuries of tradition and expectations, for musicians and audiences alike. A rare revival is coming to Detroit.

Franz Welser-Möst, who stands at the top of this storied orchestra’s roster of conductors, led three meaty programs at Carnegie Hall over the weekend.

The singer, best known in the works of Wagner and Strauss, is starring in the Metropolitan Opera’s new production of Verdi’s “La Forza del Destino.”

A new piano concerto written for Emanuel Ax, and an old symphony by Rachmaninoff, reward close listening in a program conducted by Eun Sun Kim.

Mathilde Laurent, Cartier’s perfumer, has created a scent poem that enhances the experience of Scriabin’s synesthetic score for “Prometheus.”

The conductor Santtu-Matias Rouvali’s two-week Philharmonic residency included the arrivals of the violinist Esther Yoo and the pianist Bruce Liu.

In Paris, “L’Autre Voyage” assembles the composer’s arias and art songs to create a jukebox show, perhaps the greatest opera Schubert never wrote.