Thomas Adès led the New York Philharmonic in an expanded version of his “America: A Prophecy” that strikes notes of caution and consolation.

Esa-Pekka Salonen, the orchestra’s longtime music director, came back to lead his first concerts since being named its creative director.

Deborah Warner, known for directing theater and opera, succeeds Pierre Audi, who died last year. Her own work is expected to be part of her…

Beth Morrison has shepherded dozens of new works into existence over the past 20 years. And her footprint continues to grow.

Charles Edwards’s deceptively traditional, exceptionally sung production of Bellini’s “I Puritani” makes space for its stars.

Usually, holiday opera is scarce on major stages in New York. But this year, there are two at Lincoln Center alone.

Alban Berg’s “Wozzeck,” which premiered in the shadow of World War I, will break your heart with a score that captures the essence of opera.

Thinking outside the canon, and finding the gritty and the beautiful, within it.

Gehry, who died on Friday at 96, made an invaluable contribution to classical music by designing spaces with stunning acoustics.

The latest revival of Richard Strauss and Hugo von Hofmannsthal’s final opera was a night of promising debuts and mixed success.