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  • Manohla Dargis

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The Grim Heartbeat Propelling ‘Killers of the Flower Moon’

In a short but fast-moving sequence built around a children’s primer, Martin Scorsese lays out all the themes of this terrible true-crime tale.

‘Ferrari’ Review: Michael Mann Puts You in the Driver’s Seat

The director’s portrait of the Italian racecar impresario roars to life on the road, but home is a torment. Adam Driver stars with Penélope Cruz…

‘Occupied City’ Review: Mapping the Holocaust, Street by Street

In his four-and-half-hour documentary, the British director Steve McQueen charts the fate of Amsterdam’s Jewish population during the Nazi occupation.

‘The Iron Claw’ Review: Body Slams and Broken Lives

Zac Efron and Jeremy Allen White play brothers in a melodrama inspired by the wrestling dynasty called the Von Erichs.

‘The Zone of Interest’ Review: A Hollow Holocaust

Jonathan Glazer has made a hollow, self-aggrandizing art-film exercise set in Auschwitz during the Holocaust.

‘Wonka’ Review: Willy When He Was Young and Oh So Sweet

Timothée Chalamet stars as the chocolatier in this musical origin story, playing a wide-eyed innocent instead of an eccentric mad-hatter.

‘Poor Things’ Review: Monster Mash

Emma Stone runs amok with Mark Ruffalo and Willem Dafoe in Yorgos Lanthimos’s off-key Victorian-era riff on “Frankenstein.”

‘Origin’ Review: The Roots of Our Racism

Ava DuVernay’s new feature film, adapted from the Isabel Wilkerson book “Caste,” turns the journalist into a character who examines oppression.

‘La Syndicaliste’ Review: Power Plays

Isabelle Huppert plays a union representative swept up in a byzantine conspiracy in this French movie, which is based on a true crime.

‘May December’ Review: She’ll Be Your Mirror

In Todd Haynes’s latest, Natalie Portman is an actress studying the real-life model for her character, (Julianne Moore), a woman with a tabloid back story.