

Manohla Dargis
Posts

At New Directors/New Films, the Kids Are Not All Right (Nobody Really Is)
This year’s edition of the festival tends toward familiar art-house fare, but there are standouts in which characters young and old grapple with childhood.

‘La Chimera’ Review: A Treasure Trove
In her latest dreamy movie, the Italian director Alice Rohrwacher follows a tomb raider, played by Josh O’Connor, who’s pining for a lost love.

‘Do Not Expect Too Much From the End of the World’ Review: A Wild Romanian Trip
In Radu Jude’s shambling, acidly funny movie set in Bucharest, a foul-mouthed gofer named Angela tours the troubled heart and soul of her country.

‘Immaculate’ Review: Sydney Sweeney Is Wide-Eyed but Sly
The actress stars as a fresh-faced nun who, by the end of this erotic thriller-horror mash-up, runs amok in her convent.

Once You Watch an Ernie Gehr Film, You’ll Never See the World the Same Way
A MoMA series shows how the artist pushes the boundaries of cinema in short movies that both delight and baffle.

‘The Shadowless Tower’ Review: Circling Regret in Old Beijing
Zhang Lu’s quiet film follows a man touched by nostalgia and loss, lending a melancholic air to this modern city of steel and glass.

‘The Animal Kingdom’ Review: A Beastly Disease
This French sci-fi tale plunges us into a world where a mysterious sickness turns humans into strange, sometimes terrifying part-animal creatures.

‘Love Lies Bleeding’ Review: Kristen Stewart, Crazy (and Scary) in Love
In this neo-noir, the ever reliable, always watchable actress plays a small-town loner who’s struck by the unexpected arrival of a mysterious drifter.

‘High & Low — John Galliano’ Review: Designing a Comeback
This documentary tracks what happened after the British designer was caught on camera voicing racist and antisemitic hate speech.

‘Dune: Part Two’ Review: Bigger, Wormier and Way Far Out
Timothée Chalamet and Zendaya make an appealing pair in Denis Villeneuve’s follow-up film, and the actors fit together with tangible ease.