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Manohla Dargis
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‘The Last Showgirl’ Review: Pamela Anderson Is Dazzling
The actress stars as a dancer at a Las Vegas revue on its last fishnet leg in Gia Coppola’s sensitive and beguiling film.
‘Wallace & Gromit: Vengeance Most Fowl’ Review: It’s Alive!
In Nick Park’s latest charming stop-motion animated film, the inventor-beagle team discovers the joys and dangers of technology.
One Indelible Scene: Yearning and Loss in ‘All We Imagine as Light’
A mysterious rice cooker and a rainstorm combine to convey what a woman doesn’t speak of.
‘Babygirl’ Review: Nicole Kidman Takes Control
Nicole Kidman bares body and some soul in a story about a married woman who enters a dominant-submissive affair with a younger man.
‘The Brutalist’ Review: Adrien Brody Leads a Bold Architectural Saga
Adrien Brody stars as a talented architect who flees postwar Europe to meet his match in America, a power-hungry industrialist played by Guy Pearce.
‘Mufasa: The Lion King’ Review: Squeaking, Not Roaring
This wan photorealistic prequel to a remake, the latest addition to the Disney juggernaut, was directed by Barry Jenkins of “Moonlight” fame.
‘September 5’ Review: When the Munich Games Changed Our News
Tim Fehlbaum’s journalism procedural, starring Peter Sarsgaard, tracks the broadcast coverage of the terrorist attack at the 1972 Olympics.
‘Nickel Boys’ Review: Childhood’s Brutal End
This visually inventive adaptation of a Colson Whitehead novel follows two boys at an abusive school in Jim Crow-era Florida.
‘Hard Truths’ Review: Mike Leigh’s Brutal Comedy
The British director casts the superb Marianne Jean-Baptiste in the role of an excruciatingly lonely character whose pain reveals hidden depths.
‘Nightbitch’ Review: Motherhood? Woof! Grr!
Amy Adams plays a stay-at-home mom who comes to believe that she’s a dog in Marielle Heller’s adaptation of the Rachel Yoder novel.
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