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  • Natalia Winkelman

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‘Petite Solange’ Review: Coming of Age as Your Parents Divorce

Axelle Ropert’s carefully calibrated film from France follows a girl experiencing the pain of having to accept her parents as people with faults.

‘Money Shot: The Pornhub Story’ Review: A Clear Eye on an Industry

This documentary looks at the offenses of the pornography industry through interviews with performers and activists.

‘The Forger’ Review: Hiding in Plain Sight

This German drama follows a young Jewish man in early 1940s Berlin who survives by falsifying passports and concealing his identity in public.

‘The First Step’ Review: Van Jones Battles for Bipartisanship

This well-meaning documentary follows the liberal commentator as he works with both political parties to pass a criminal justice reform bill.

‘Somebody I Used to Know’ Review: Reigniting Old Flames

In Dave Franco’s new comedy, Alison Brie plays a reality television showrunner attempting to break up her ex-boyfriend’s engagement.

‘Huesera: The Bone Woman’ Review: What to Dread When You’re Expecting

In Michelle Garza Cervera’s terrifying and transfixing debut feature, a pregnant woman battles visions of a demoness who threatens her body and mind.

‘Baby Ruby’ Review: Enfant Terrible

This psychological horror movie stars Noémie Merlant as a new mother experiencing delusions and paranoia.

Mia Hansen-Love and the Hazy Line Where Real Life Ends and Art Begins

The French director translates her experiences into critically lauded dramas like “One Fine Morning,” about her father’s death and her own new love.

‘The Mission’ Review: A Substantial Service Undertaking

Mormon teenagers travel to Finland for missionary service in this documentary that struggles to offer new insights.

‘All Eyes Off Me’ Review: Scenes of Seduction

A series of sexual and social situations unspool in this portrait of Israeli youth culture.