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  • Natalia Winkelman

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‘Allswell in New York’ Review: Siblings and Their Struggles

This overstuffed movie fails to wrap up its myriad professional and domestic dramas, despite a few moments of promise.

‘The Wild Robot’ Review: Wonder and Whimsy That Does Compute

Chris Sanders’s movie about a robotic assistant and the gosling she raises is defined by dazzling visuals and frank ideas about the circle of life.

‘All Shall Be Well’ Review: Aching With Absence

The indignity of being someone’s spouse while they are alive and merely a friend after their death is the theme of this extraordinarily moving Hong...

‘Girls Will Be Girls’ Review: Surviving High School

The filmmaker Shuchi Talati’s debut feature follows a model student and her stifled mother, who are both vying for the attention of a new crush.

‘I’ll Be Right There’ Review: Her Maternal Commitment is Apparent

Edie Falco plays a matriarch bending over backward for her grown children in this uneven character study.

‘Seeking Mavis Beacon’ Review: A Search for a Black Luminary

Two digital sleuths set out to find the woman who lent her image to computer software in this scattered documentary.

‘The Good Half’ Review: Only Half Good

Nick Jonas and Brittany Snow play siblings coordinating funeral logistics for their mom in this drama, a cross between “Terms of Endearment” and a Hallmark...

‘Close to You’ Review: Clumsy Overtures of Support

This formless drama featuring Elliot Page as a trans man returning home relies on improvised dialogue.

‘Coup!’ Review: Pandemonium in a Pandemic — No, Not That One

In this obvious satire set amid the 1918 influenza, a wealthy, muckraking reporter hires a new chef who disrupts the estate’s hierarchy.

‘Join or Die’ Review: Come Together

This documentary about the work of Robert Putnam, who wrote “Bowling Together,” argues that Americans can save democracy by becoming joiners.