Bernard Labadie and the Orchestra of St. Luke’s returned to Carnegie Hall in a program that also included a Mozart piano concerto with Emanuel Ax.

Mao Fujita’s playing had a prettiness all its own, but he didn’t connect profoundly with all the composers on his largely safe program.

This revival of John Dexter’s production of “Dialogues des Carmélites” features a tightly knit cast led by the full-voiced soprano Ailyn Pérez.

The composer Shawn Okpebholo has created a song cycle that imagines the inner lives of fugitives from American slavery.

Julie Taymor’s version of Mozart’s opera, a fairy tale of puppets and plexiglass, achieves its finest form in the Met’s condensed version for families.

Two performances, at Trinity Church Wall Street and the New York Philharmonic, were similar yet showed how beauty emerges in divergence.

The mezzo-soprano J’Nai Bridges performed at the 92nd Street Y, joined by the pianist Mark Markham and the Catalyst Quartet.

Benjamin Bernheim filled the auditorium with a sound that was powerful, beautiful and intelligent.

This bass-baritone made his Carnegie Hall debut with his carefully curated, personal “Recital No. 1: MASS.”

Dudamel led his Los Angeles Philharmonic in two concerts at Carnegie Hall that included a scorching New York premiere by Gabriela Ortiz.