Naxos, which collects videos of productions throughout Europe, has begun to make its catalog available on Amazon Prime Video.

Anthony Braxton’s music is difficult to program even among forward-thinking institutions. Leave it to the scrappy companies to get the work done.

In its opening days, Ethan Iverson’s Sono Fest! in Brooklyn was already showing promise.

Not for the first time this season at the New York Philharmonic, a premiere was muddled by obvious, sometimes intrusive video art.

In Philadelphia, Girard College students are joining the composer Tyshawn Sorey and Yarn/Wire for a multimedia adaptation of Ross Gay’s “Be Holding.”

The Pulitzer Prize-winning composer has released a memoir, “Easily Slip Into Another World,” and a new album, “The Other One.”

Claire Chase’s “Density 2036,” an undertaking to commission a new flute repertoire, reached its 10th installment with a multi-concert retrospective.

This weekend of concerts, organized by Bang on a Can, has quickly but assertively ascended to the rank of destination event.

Jonathon Heyward, the incoming, barrier-breaking music director of the Baltimore Symphony Orchestra, leads the New York Philharmonic this week.

The 92nd Street Y, New York and Wild Up presented a three-concert festival of works by this pioneering Black queer composer. What next?