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  • Teo Bugbee

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‘We Might as Well Be Dead’ Review: Housing by Neighborhood Watch

A single mother fights for her place in a dystopian high rise in this unfocused satire.

‘Monica’ Review: Mother and Daughter, Both Alike in Dignity

Trace Lysette and Patricia Clarkson star in this subtle chamber drama.

‘Chile ’76’ Review: Domestic Unease That Twists Into Intrigue

Manuela Martelli’s new film examines the Pinochet dictatorship through the eyes of a woman who never intended to play an active role.

‘Chile ’76’ Review: Domestic Unease That Twists Into Intrigue

Manuela Martelli’s new film examines the Pinochet dictatorship through the eyes of a woman who never intended to play an active role.

‘Four Quartets’ Review: Virtuosi in Verse

Ralph Fiennes delivers an animated performance of the T.S. Eliot works, but the film doesn’t quite succeed in bringing the stage into the cinema.

‘Twilight’ Review: Film Noir in the Hungarian Hills

A retired detective returns to his job to hunt down a child killer in this distinctive and Béla Tarr-influenced film.

‘On a Wing and a Prayer’ Review: Faith as Flight Insurance

A family receives impromptu flight lessons when their pilot dies in the middle of a chartered flight in this spiritually insincere action film.

‘I’m an Electric Lampshade’ Review: My Accountant, the Pop Star

A 60-year-old retiree travels to the Philippines to follow his dreams of stardom in this documentary.

‘Wildflower’ Review: The Parents Are All Right

A snarky teenager navigates her loving but complicated relationship with two intellectually disabled parents in the coming-of-age comedy “Wildflower.”

‘The Year Between’ Review: An Easygoing Breakdown

In this warm dramedy, a family works together to create a stable routine after their college-age daughter is diagnosed with bipolar disorder.