Wesley Morris
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‘Sly Lives! (aka the Burden of Black Genius)’ Review: Struggling to Transmit

Questlove’s new documentary aims to dissect the forward-looking brilliance of Sly Stone and his band, but mostly it traces their downward arc.

“Nosferatu” Review: Robert Eggers Takes on Dracula

The director Robert Eggers dares you to feel seduced in his take on the classic vampire tale, starring Bill Skarsgard and Lily Rose Depp.

Quincy Jones Orchestrated the Sound of America

Jones, who died at 91, erased boundaries, connected worlds and embraced delight. As a producer, he coaxed ingenuity from his players and singers.

Cissy Houston Saw Music’s Peaks and Life’s Valleys

The singer, who died this week, was the mother of Whitney Houston and a contender for the greatest voice of the country, our critic says.

1999 Was a Great Year for Movies. It Was the Best Year to Write About Them.

At the box office 25 years ago, hits like “Runaway Bride,” “The Sixth Sense” and “Bowfinger” hint at the abundance that overwhelmed a young critic.

Meshell Ndegeocello Could Have Had Stardom but Chose Music Instead

The bassist, singer and composer’s 1993 debut jolted the industry — then she decided to change. Now she is releasing a powerful album inspired by...

‘Glitter & Doom’ Review: Romance With an Indigo Girls Soundtrack

Songs by the Indigo Girls soundtrack a musical romance.

Jennifer Lopez and ‘This Is Me … Now’: Is She for Real?

“This Is Me … Now: A Love Story,” a movie built on her latest album, is a showcase for the exhausting, never-ending, hazardous work of...

‘Renaissance: A Film by Beyoncé’ Review: Peak Performance

The concert film offers a comprehensive look at a world-conquering tour and rare insight into the process of one of the world’s biggest stars.

‘Saltburn Review’: Lust, Envy and Toxic Elitism

In the new film from Emerald Fennell, Barry Keoghan plays an Oxford student drawn into a world of lust and envy at a classmate’s estate.