Kate Soper’s tender, whimsical “Orpheus Orchestra Opus Onus,” a tribute to the orchestra, had its premiere on Thursday with its composer as soloist.

In Strauss’s “Salome,” is the Dance of the Seven Veils a seduction? A striptease? A cry for help? Watch some memorable versions from its long...

John Adams’s Shakespeare adaptation has been trimmed since its premiere, but still struggles with setting a flood of dense Elizabethan verse.

There’s a crackling aliveness to music in the 220-seat, subterranean yet airy auditorium, which was put through its paces in a burst of six concerts.

After turning a derelict lecture hall into the daring Almeida Theater, he had a long career as a director and impresario in Europe and New...

In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her younger self.

The 21-year-old pianist turned the great set of variations into the story of a young man’s maturation from innocence to experience.

R.B. Schlather’s vibrant staging of Handel’s “Giulio Cesare,” playing in the Hudson Valley, is a bright spot in a bleak landscape for Baroque work.

Driven by creative leadership and generous donors, the company, long a beacon of innovation, is bucking trends in the field.

Joana Mallwitz is in calm, stylish command making her debut with Mozart’s “The Marriage of Figaro,” running in repertory with “The Magic Flute.”