Herbert Blomstedt introduced the New York Philharmonic to a piece he premiered in Stockholm 59 years ago.

It was a momentous occasion as Wang played all five of Rachmaninoff’s works for piano and orchestra at Carnegie Hall for one show only.

The conductors Michael Tilson Thomas and Daniel Barenboim have continued to perform as aging and illness loom.

Alongside a winning “L’Elisir d’Amore,” our critic returned to four works at the Met in the middle of their runs to hear new rotations of...

This year’s iteration marks a joyous return to theaters for the festival, which was canceled last year.

With a change of the guard imminent at the New York Philharmonic, Santtu-Matias Rouvali is the only guest conductor leading two programs this season.

Worries about the company’s future were momentarily stilled at a festive gala premiere on New Year’s Eve.

But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire.

The composer’s 12th, from 1961, is being played by the orchestra for the first time under the conductor Rafael Payare, also making his debut.

Carlo Rizzi, a Met Opera regular sometimes taken for granted, opened the company’s season this fall and has juggled “Medea,” “Tosca” and “Don Carlo.”