The harpsichordist Jean Rondeau played the “Goldberg” Variations at Weill Recital Hall with patience and a vibrant yet subtle touch.

After a major renovation, the acoustics throughout David Geffen Hall are strikingly consistent — but complicated.

Judgments on the hall’s acoustics at this early stage are provisional, but a mighty improvement is already obvious.

The film’s thesis is blunt: Put a woman in power, and she’ll be as sexually inappropriate and badly behaved as any man.