“Die Frau Ohne Schatten,” a dense ode to fertility, may not sound appealing at first. But in this performance, the fairy tale comes movingly to...

A century after his death, the composer of “La Bohème,” “Tosca” and “Madama Butterfly” still dominates the repertoire like no one since.

Performing with the New York Philharmonic and Kazuki Yamada, Lim played Chopin’s F minor Concerto with imperturbable calm and eloquence.

The 28-year-old maestro, entrusted with two storied ensembles, visited Carnegie Hall with the superb Concertgebouw Orchestra of Amsterdam.

In three concerts at Carnegie Hall led by Kirill Petrenko, this orchestra played with awe-inspiring force and finesse.

The powerhouse soprano, already a company stalwart at 37, still seems to be figuring out a character whose moods change on a dime.

Tim Long, a pianist, conductor and teacher, conceived his project to fill a cultural need: “There is no repertoire like this in existence.”

The energy in Verdi’s classic must come from the singing, but the cast of this revival fails to convey the work’s passion.

The New York Philharmonic has played Tchaikovsky’s “Pathétique” Symphony twice in two years. Rafael Payare led its latest outing.

The Crossing is one of many elements in “Can We Know the Sound of Forgiveness,” which links pieces by Gabriela Ortiz in a five-movement meditation.