At the Park Avenue Armory, a five-hour selection of pieces from the 29-hour “Licht” cycle is best appreciated as a marathon performance.

The pandemic-derailed tenure of Jaap van Zweden, the orchestra’s music director, was too short to give us a full sense of him, as man or...

“Natural History,” performed in Cincinnati, is a collaboration between the composer Michael Gordon and the Native American ensemble Steiger Butte Drum.

The Cleveland Orchestra’s staging of Mozart’s “The Magic Flute” was a reminder that ensembles can help fill the gap as opera grows harder to find.

Donald Palumbo, a mild-mannered but relentless perfectionist, is stepping down after 17 years as the company’s chorus master.

An opera about Danny Chen, an Army private who died by suicide after experiencing racist hazing while serving, was performed in New York, his hometown.

This week’s program was supposed to feature the orchestra’s principal oboe, but he and another player have been suspended amid misconduct allegations.

Alsop has had enviable success, and was the first female conductor to lead a top American orchestra. She wants to take another step up.

Esa-Pekka Salonen is known for unusual, ambitious projects. But at the New York Philharmonic this week, he succeeded with standard repertory works.

Olga Neuwirth’s “Keyframes for a Hippogriff,” a chaotic explosion of postmodernism, had its American premiere, conducted by Thomas Sondergard.