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  • Beatrice Loayza

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‘Fire of Wind’ Review: May Day

In this elegant, elliptical folk tale set in rural Portugal, a group of grape pickers are trapped in treetops after a bull is let loose…

‘Dream Eater’ Review: Nightmares on the Move

A man who suffers from violent sleepwalking spells and his girlfriend retreat to a remote cabin in this stiff found-footage horror movie.

‘Urchin’ Review: The Vicious Cycle and Recycle of Addiction and Hope

Frank Dillane, starring as a recovering addict in London, elevates this character study, Harris Dickinson’s feature directing debut.

‘HIM’ Review: Dying to Go Pro

In this thriller, a young quarterback is invited to train with a veteran player (Marlon Wayans) in his Texas compound. What could go wrong?

‘Dreams’ Review: Fact or Autofiction?

The film is the final installment in Dag Johan Haugerud’s trilogy about the sexual and romantic mores of Oslo’s inhabitants.

‘The Conjuring: Last Rites’ Review: A Disappointing Send-Off

The highest-grossing horror franchise ramps up the sentimentality for one last gasp with the Warrens.

‘Motel Destino’ Review: A Lurid Brazilian Thriller

As the director Karim Aïnouz reveals the secrets within the roadside establishment’s walls, a dangerous love triangle appears.

MoMA Film Series: Reclaiming New Orleans, 20 Years After Katrina

The Museum of Modern Art’s When the World Broke Open: Katrina and Its Afterlives takes a cinematic look at the city and its people over…

‘Honey Don’t!’ Review: Wry, Weird and Sometimes Cruel

The second solo feature by Ethan Coen stars Margaret Qualley, Aubrey Plaza and Chris Evans in a murder mystery that involves a sex cult and…

‘The Knife’ Review: Searching for the Truth

Nnamdi Asomugha’s taught directorial debut revolves around the interrogation of a Black family whose home has been invaded.