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Beatrice Loayza
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Sarajevo Film Festival, Born in War, Turns 30
The Sarajevo Film Festival, now 30 years old, grew out of underground screenings during the siege of the city. Those roots still define the event’s…
‘I’ll Be Your Mirror’ Review: A Mourning Journey
This visually elegant indie follows a soft-spoken Swiss widow visiting Japan.
‘Kneecap’ Review: Beats Over Belfast
Members of the pioneering Irish-language rap group play versions of themselves in a gleefully chaotic film that casts them as tall-tale heroes.
‘Widow Clicquot’ Review: Champagne Mami
This muddled film, based on a true story, chronicles the origins of the French champagne house Veuve Clicquot.
‘Touch’ Review: An Old-School Tear-Jerker, With a Twist
An Icelandic widower revisits London, the site of his first romance, in this film from Baltasar Kormakur.
‘Music’ Review: Oedipus Rocks
An ethereal, experimental new drama retells the story of the mythical Greek hero.
‘Chronicles of a Wandering Saint’ Review: Are the Meek Blessed?
It’s clear that Rita’s life in rural Argentina could use a bit of magic. But her willingness to bend the truth to achieve it heralds…
Russell Crowe’s in 2 Exorcism Films? Yes, and Here’s Why the Roles Work
In a three-decade career, he’s developed an impressive range without forgetting how to have fun.
‘The Devil’s Bath’ Review: Madwoman in the Cottage
This stark psychological horror movie tracks the mental deterioration of an 18th-century peasant woman.
‘Solo’ Review: Listen to Your Heart
Sophie Dupuis’s sensitive French Canadian drama takes a turn when a young, starry-eyed drag queen (Théodore Pellerin) opens up to questionable figures.
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