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Beatrice Loayza
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‘Coma’ Review: A Labyrinthine Lockdown Movie
Bertrand Bonello’s latest horror film, dedicated to his teenage daughter, pushes the boundaries of the conventional pandemic movie.
‘A Prince’ Review: Let New Passions Bloom
Sex, death and domination fuel this beautifully enigmatic pastoral drama from France, which presents the gay coming-of-age of an apprentice gardener.
‘Slow’ Review: We Don’t Have to Take Our Clothes Off
The second feature by the Lithuanian filmmaker Marija Kavtaradze asks what a relationship looks like when you factor out the sex.
‘Omen’ Review: Life in a Different Space-Time Continuum
This trippy ensemble drama set in Kinshasa explores Congolese society through magical realism.
‘The Beast’ Review: Master of Puppets
Bertrand Bonello’s latest film, starring Léa Seydoux and George MacKay as lovers in three different eras, is an audacious sci-fi romance.
‘On the Adamant’ Review: A Psychiatric Facility on the Seine
This documentary by Nicolas Philibert drifts along, with unnamed patients and their caretakers, on a large houseboat in Paris.
Radu Jude Brings TikTok’s Chaos to the Movies
Radu Jude’s films are messy mash-ups of art, literature, advertising and social media, with some dirty jokes thrown in.
‘Femme’ Review: Bad Lovers
In this white-knuckle thriller set in London, a drag performer seduces his attacker, an intensely closeted hustler played by George MacKay.
‘Arthur the King’ Review: Dog Days With Mark Wahlberg
Wahlberg stars in this drama directed by Simon Cellan Jones, based on the true story of a Swedish adventure racer and his beloved adopted dog.
When a Job Becomes a Literal Hell
In an era of continual burnout, artists and filmmakers are now imagining what it looks like when workers finally explode.
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