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Beatrice Loayza
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‘Lady Killer’ and ‘The Strange Mister Victor’ Review
Two newly restored films by the director Jean Grémillon, whom cinephiles discuss like a special secret, get a second life in theaters.
Claire Simon Finds a New Subject: Herself
The French director Claire Simon was making a movie about a Paris hospital when she found out she had cancer. So she became a character…
‘The Beasts’ Review: Bad Neighbors
Class tensions and masculine power games abound in this engrossing rural thriller from Spain.
‘Bawaal’ Review: Getting Some Perspective
In this Bollywood production, a narcissistic history teacher reconnects with his wife on a trip through Europe.
‘Final Cut’ Review: A Feeble Rise of the Living Dead
A remake of a Japanese zom-com, this French adaptation about the making of a B-level zombie flick does little to justify its existence.
Patrick Wilson on ‘Insidious: The Red Door’ and ‘The Conjuring’
The actor had long wanted to make a film. When he was offered the job on the new “Insidious,” the chance to direct a box…
‘Amanda’ Review: A Friendship Forged in Delusion
A delusional college grad befriends an agoraphobic misanthrope in this stylish dark comedy by the Italian director Carolina Cavalli.
‘Nobody’s Hero’ Review: Little Desires Everywhere
In this slippery farce, a schlubby coder falls in love with a prostitute and takes in a teenager he suspects is a terrorist.
‘Persian Lessons’ Review: An Improbable Holocaust Drama
A Jewish Frenchman posing as a Persian eludes death by teaching a fictional form of the Persian language to a Nazi commandant in this improbable…
‘Falcon Lake’ Review: Pack Water, Sunscreen and Palo Santo
Death and desire are bunk mates in this coming-of-age drama set around a lake cabin in Quebec.
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