In this month’s picks, mountain climbing, dog sledding and government running.

This postapocalyptic father-daughter story shamelessly recombines overused ideas.

The erotic film, first shown in 1994, finds room for sweetness with its kink.

A filmmaker who can’t secure an interview with the A.I. executive turns to technology for a solution.

“The Joyless Street” is among the most chopped-up films of the silent era. A restoration at MoMA’s To Save and Project series proves eye-opening.

Dramatizing an odd news item from 1977, Gus Van Sant’s crime film isn’t crazy enough.

In this month’s picks, Sydney Pollack on Frank Gehry, Rob Reiner on Albert Brooks and Mike Figgis on Francis Ford Coppola.

Jim Jarmusch’s uneven triptych, a prizewinner at Venice, saves its best segment for last.

Kaouther Ben Hania’s dramatized feature about a Palestinian girl who is killed in Gaza City is both powerfully direct and purposefully removed.

In a new documentary, the creator of the Pantone system explains how he standardized colors across the globe.