George Benjamin and Martin Crimp, who collaborated on modern successes including “Written on Skin,” return with the one-act “Picture a Day Like This.”

Elaine Mitchener will draw on a range of extended vocal techniques to give a sensitive portrait of mental illness in the music theater piece “Eight…

In his new memoir, “Enough: Scenes From Childhood,” Stephen Hough recalls his artistic and sexual coming-of-age with a light touch.

As centenary events celebrate Simeon ten Holt’s work, music historians have questioned his omission from histories of Minimalism, and its focus on American greats.

Nicola Benedetti is the first Scotland native and the first woman to serve as director of the storied Edinburgh International Festival.

A moment in “O Come, All Ye Faithful” is so popular, it’s printed on T-shirts. But it’s also symbolic, and important to music history.

Esbjörn Svensson found fame in Europe with his group E.S.T. But a newly released solo album, discovered by his wife, unveils more intimate piano work.

In Britain and Ireland, a series of recent projects show the rich possibilities when disability and neurodiversity are considered in the creative process.

A new project completes Bach’s plans for his kaleidoscopic “Orgelbüchlein,” with a 21st-century touch.