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Jeannette Catsoulis
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‘Tuesday’ Review: Expiration Point
Julia Louis-Dreyfus journeys from denial to acceptance in this imaginative fantasy-drama about grief and motherhood.
‘In a Violent Nature’ Review: Killing Them Softly
Chris Nash’s ultraviolent horror movie is an unexpectedly serene, almost dreamlike meditation on a murderous psyche.
‘Queen of the Deuce’ Review: A Mother of Invention
This warm remembrance of a Times Square legend is too careful with its iconoclastic heroine.
‘Infested’ Review: Bugging Out
An apartment building in Paris is overrun by murderous arachnids and unsubtle allegory in this fleet and efficient debut feature.
Ken Loach: Championing the Strugglers and Stragglers
A retrospective of the director’s work at Film Forum shows how his movies have kept a focus on working-class solidarity.
‘Sasquatch Sunset’ Review: Big Feet and Small Brains
Four unrecognizably hairy actors, including Jesse Eisenberg and Riley Keough, play mythical creatures in this endearingly bonkers movie.
‘Housekeeping for Beginners’ Review: Daddy Nearest
Sad news forces a diverse group of friends to take unorthodox action in this volatile, affecting drama.
‘DogMan’ Review: Crackers for Animals
An electrifying Caleb Landry Jones plays the damaged heart of this oddly wonderful tale of resilience and revenge.
‘Riddle of Fire’ Review: Tiny Terrors
Three children embark on a mystical journey in this charming but shapeless first feature.
‘Knox Goes Away’ Review: A Not-So-Simple Plan
Michael Keaton is quietly compelling as a beleaguered hit man in this downbeat thriller.
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