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  • Laura Collins-Hughes

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‘Anna Christie’ Review: Michelle Williams on the Waterfront

The actress stars in Thomas Kail’s luminous revival of Eugene O’Neill’s play about a woman whose past threatens her future.

Why Return to ‘A Christmas Carol’? To Find Something New.

Popping up once a year, works like Dickens’s holiday tale, “Amahl and the Night Visitors” and “It’s a Wonderful Life” help us gauge where we…

‘This World of Tomorrow’ Review: Tom Hanks Is Back in Town

The movie star plays a man from the future at the 1939 New York World’s Fair in an adaptation of some of his stories. Kelli…

‘The Seat of Our Pants’ Review: Songs for the World’s End

Ruthie Ann Miles, Shuler Hensley and Micaela Diamond lead a dream-team cast in Ethan Lipton’s musical adaptation of Thornton Wilder’s “The Skin of Our Teeth.”

In ‘The Queen of Versailles,’ Kristin Chenoweth Can’t Get Enough

Material excess can never be too excessive for the central character of this gilded Broadway musical, based on the 2012 film.

‘Bull Durham’ Review: This Musical Version Is a Bunt

Adapted for the stage, the baseball rom-com is now less sexy and sophisticated than the ’80s classic.

‘Oh Happy Day!’ Review: And God Told Keyshawn to Build an Ark

An urgent family mission propels Jordan E. Cooper’s pain-spiked supernatural comedy, a very loose riff on the biblical story of Noah.

‘Caroline’ Review: Chloë Grace Moretz as a Mother Starting Over

The actress stars in a closely observed new drama by Preston Max Allen about addiction, class and the safety of a transgender 9-year-old.

‘Waiting for Godot’ Review: Keanu Reeves and Alex Winter on Broadway

Jamie Lloyd’s pristinely chic Broadway revival of the existential tragicomedy casts the “Bill & Ted” stars Keanu Reeves and Alex Winter as Samuel Beckett’s clowns.

‘Galas’ Review: A Vocally Gifted Paper Doll

Charles Ludlam’s camp tribute to Maria Callas, featuring the countertenor Anthony Roth Costanzo, is glamorous to a fault at Little Island.