After more than 9,000 performances as the shaman in the Broadway show, Tshidi Manye prepares to hang up her baboon costume.

Marisha Wallace, headlining the final months of “Cabaret” in New York, returns to the city with Olivier nominations and newly minted British citizenship.

On Broadway, the musical adaptation is a bouncy crowd pleaser about female empowerment, self-acceptance and chasing one’s dreams.

Tim Curry and colleagues recall the musical’s misadventure at the Belasco Theater in 1975.

Enda Walsh’s formal experiment, at St. Ann’s Warehouse, finds him in pared-back mode.

Todd Almond wrote an oral history on Conor McPherson’s “Girl From the North Country” and its passage through Broadway’s pandemic shutdown.

Matthew Gasda directs his new play, which was inspired by Sam Altman’s 2023 ouster from OpenAI.

Making his Broadway debut as the show’s Emcee, the singer is reveling in what he calls “a thinking piece of musical theater.”

The musical, starring Grey Henson, has gotten Buddy delightfully, entirely right. But he is trapped inside a creaky adaptation.

Adapted from the offbeat 2012 film, this new musical about loneliness and the longing for do-overs is promising but still needs to find its shape.