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Lisa Kennedy
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‘Mary’ Review: An Epic Biopic for the Mother of God
No genre gesture goes untapped in this Netflix film, a coming-of-age saga about the Virgin Mary featuring Anthony Hopkins as King Herod.
‘Ernest Cole: Lost and Found’ Review: Chronicling Apartheid and Beyond
Raoul Peck looks at the compelling South African photographer, who died in 1990, whose work gets a second life onscreen.
‘Lost on a Mountain in Maine’ Review: Peak Experience
The true story of a 12-year-old’s survival in a vast mountain wilderness for nine days in the 1930s.
‘Exhibiting Forgiveness’ Review: A Fraught Reunion
For his first film, the artist Titus Kaphar delivers an unsentimental and autobiographical gem.
‘Lee’ Review: A Remarkable Life at War
Kate Winslet embodies the tenacity of the photographer Lee Miller, who documented World War II for British Vogue.
‘The Featherweight’ Review: Boxing Is Easy. Retirement Is Hard.
In this biopic, a documentary crew follows the boxer Willie Pep during his 1960s comeback.
At Sundance Lab, Movie Economics Can’t Be Ignored This Year
Funding is a perennial problem for the indie filmmakers who workshop their latest works here. But now Sundance itself is feeling the financial pressure.
‘Find Me Falling’ Review: A Romance With an Edge
Harry Connick Jr. stars as a cranky rocker who returns to Cyprus, the home of the love who inspired a signature hit.
‘Sing Sing’ Review: Divine Interventions
A deep-tissue turn by Colman Domingo and a breakout performance by Clarence Maclin lift this moving drama about a prison theater program.
‘Brats’ Review: Feeding St. Elmo’s Ire
In this documentary, Andrew McCarthy examines fame and disappointment as a member of the so-called Brat Pack of the 1980s.
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