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  • Manohla Dargis

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For the First Time Ever, I’m Optimistic About Women in the Movie World

It’s not just the volume and range of films centered on female characters. It’s also a shift in consciousness that has made feminist concerns mainstream.

‘Alice, Darling’ Review: That’s What Friends Are For

Anna Kendrick stars in a drama about a woman in an abusive relationship who finds refuge with two girlfriends during a getaway.

‘Beautiful Beings’ Review: Boys Will Be Boys Will Be Violent Jerks

In this brutal Icelandic drama, four teenagers — both bullies and the bullied — struggle and rage against a world that rages back.

One Indelible Scene: A Donkey’s Escape in ‘EO’

The animal, reared in a circus, enters into a forest and a world of wild animals. For the first and only time in the movie,…

‘Wildcat’ Review: Rescue and Rewild

This documentary follows a couple’s efforts to reintroduce an ocelot, headed to a zoo or worse, into its home in the Peruvian Amazon.

‘Corsage’ Review: A Queen in Quiet Rebellion

A transfixing Vicky Krieps plays the Empress of Austria who, at 40, begins to chafe against her predictably cosseted life.

‘Babylon’ Review: Boozing. Snorting. Grinding. That’s Entertainment!?

Damien Chazelle directs Brad Pitt, Margot Robbie and Diego Calva in a 1920s story about Hollywood’s good and sometimes very bad old days.

‘The Super 8 Years’ Review: Annie Ernaux’s Celluloid Souvenirs

In this wistful movie, the French writer and Nobel laureate revisits her life with help from her son, who’s also the director.

‘One Fine Morning’ Review: The Moments That Make Up a Rich Life

Mia Hansen-Love directs Léa Seydoux in a delicate look at a mother, daughter and lover whose quotidian existence is instantly recognizable yet sublime.

‘Guillermo del Toro’s Pinocchio’ Review: Puppets and Power

This quirky classic has been made all the stranger by the decision to turn it into an ill-conceived metaphor about fascism.