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Manohla Dargis
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‘Ferrari’ Review: Michael Mann Puts You in the Driver’s Seat
The director’s portrait of the Italian racecar impresario roars to life on the road, but home is a torment. Adam Driver stars with Penélope Cruz…
‘Occupied City’ Review: Mapping the Holocaust, Street by Street
In his four-and-half-hour documentary, the British director Steve McQueen charts the fate of Amsterdam’s Jewish population during the Nazi occupation.
‘The Iron Claw’ Review: Body Slams and Broken Lives
Zac Efron and Jeremy Allen White play brothers in a melodrama inspired by the wrestling dynasty called the Von Erichs.
‘The Zone of Interest’ Review: A Hollow Holocaust
Jonathan Glazer has made a hollow, self-aggrandizing art-film exercise set in Auschwitz during the Holocaust.
‘Wonka’ Review: Willy When He Was Young and Oh So Sweet
Timothée Chalamet stars as the chocolatier in this musical origin story, playing a wide-eyed innocent instead of an eccentric mad-hatter.
‘Poor Things’ Review: Monster Mash
Emma Stone runs amok with Mark Ruffalo and Willem Dafoe in Yorgos Lanthimos’s off-key Victorian-era riff on “Frankenstein.”
‘Origin’ Review: The Roots of Our Racism
Ava DuVernay’s new feature film, adapted from the Isabel Wilkerson book “Caste,” turns the journalist into a character who examines oppression.
‘La Syndicaliste’ Review: Power Plays
Isabelle Huppert plays a union representative swept up in a byzantine conspiracy in this French movie, which is based on a true crime.
‘May December’ Review: She’ll Be Your Mirror
In Todd Haynes’s latest, Natalie Portman is an actress studying the real-life model for her character, (Julianne Moore), a woman with a tabloid back story.
‘Napoleon’ Review: A Lumpy, Grumpy Little Man
Joaquin Phoenix is oddly mesmerizing as the French emperor in Ridley Scott’s historical epic charting his rise and ruin.
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