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  • Natalia Winkelman

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‘Titan: The OceanGate Disaster’ Review: A Company’s Failures

Netflix’s documentary about the catastrophe uses familiar techniques to spotlight the faulty judgment of Stockton Rush, who ran OceanGate.

At the Tribeca Festival, Standouts Come From Near and Far

A documentary about a New York restaurant and a Korean film about dine-and-dashers are among the standouts in this year’s festival.

‘Bad Shabbos’ Review: Guess Who’s Kvetching About Dinner?

A newly engaged Jew and gentile plan to introduce their parents. But first: There’s a crisis involving a body, a ticking clock and a doorman…

‘Sister Midnight’ Review: The Feminine Mystique, but Make It Macabre

A housewife’s domestic distresses take a horrifying turn in this dark comedy set in the slums of Mumbai.

‘Summer of 69’ Review: A Crash Course in Carnal Knowledge

Jillian Bell’s feature directorial debut centers on a nerdy teenager who hires a stripper for a sexual education, but the movie favors modesty over vulgarity.

‘Bonjour Tristesse’ Review: Goodbye Girlhood

Durga Chew-Bose boldly reimagines a work once adapted by Otto Preminger in her beguiling first film set on the French Riviera.

‘Magic Farm’ Review: A Droll Delight

Amalia Ulman’s playful second feature follows an American television crew that lands in rural Argentina.

‘Grand Tour’ Review: A Quiet Knockout

The Portuguese filmmaker Miguel Gomes’s black-and-white film follows a colonial official on a 20th-century odyssey across Asia, with his fiancée in pursuit.

‘Bob Trevino Likes It’ Review: From a Stranger to Found Family

Barbie Ferreira shines as a young woman who befriends a stranger with her father’s name in this indie tear-jerker.

‘Last Take: Rust and the Story of Halyna’ Review: Confusing Accounts

The Hulu documentary challenges ideas around who is responsible for the death of the cinematographer Halyna Hutchins on the set of “Rust.”