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Zachary Woolfe
Posts
Yunchan Lim Plays Bach’s ‘Goldberg’ Variations at Carnegie Hall
The 21-year-old pianist turned the great set of variations into the story of a young man’s maturation from innocence to experience.
Review: As New York’s Opera Scene Empties, Another Rises Upstate
R.B. Schlather’s vibrant staging of Handel’s “Giulio Cesare,” playing in the Hudson Valley, is a bright spot in a bleak landscape for Baroque work.
At Houston Grand Opera, ‘This Is a Good Time’
Driven by creative leadership and generous donors, the company, long a beacon of innovation, is bucking trends in the field.
Mozart’s ‘Figaro’ and ‘Magic Flute’ at the Metropolitan Opera
Joana Mallwitz is in calm, stylish command making her debut with Mozart’s “The Marriage of Figaro,” running in repertory with “The Magic Flute.”
Patricia Kopatchinskaja Knocks the Cobwebs Off the Violin Repertory
Patricia Kopatchinskaja, making her New York Philharmonic debut this week, has become one of music’s quirkiest stars by breathing new life into standards.
Louis Ballard, the ‘Father’ of Native American Composers, Hasn’t Gotten His Due
Louis W. Ballard paved the way for a booming generation of artists. But his works have been too little performed and recorded.
Dudamel Leads a Premiere by a Youthful Ravel. Not Bad for a Kid.
The New York Philharmonic and its next music director gave “Sémiramis” its first public hearing, alongside other Ravel pieces and works by Varèse and Gershwin.
Sofia Gubaidulina Was Both Fully Modern and Sincerely Spiritual
Sofia Gubaidulina’s work, with its thorniness and religious themes, put her at odds with the Soviet government.
Review: A ‘Moby-Dick’ Opera at the Met Cuts the Blubber
Streamlining Melville’s sprawling novel, Jake Heggie and Gene Scheer’s moody, monochromatic 2010 adaptation has come to the Metropolitan Opera.
Vienna Philharmonic and Riccardo Muti Return to Carnegie Hall
Riccardo Muti, in what felt like a victory lap, returned to Carnegie Hall to lead the Philharmonic’s annual three-day series of concerts.