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“The Christophers”: A Review of Steven Soderbergh’s New Drama

In Steven Soderbergh’s film, Ian McKellen and Michaela Coel are superbly matched as two skilled painters who find their way from slippery deception to common ground.

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From The New Yorker 

Written by

Justin Chang

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←To reach the Final Four, Illinois needed to think outside the box. And country.
New Directors, New Films→

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