• Home
  • Journalists
    • Headlines
  • Community
    • Businesses
    • Jobs
    • Learning
    • Marketplace
  • Store
(@)

‘The Magic Flute’ Review: Mozart Meets C.G.I., With Help From a Tween

The New York Times – Music:

A young tenor enters a world enlivened by computer graphics at a school devoted to the composer’s works in this Roland Emmerich-inspired film.

Glenn Kenny
Author: Glenn Kenny

This post first appeared in The New York Times – Music. Read the original article.

Written by

Glenn Kenny

in

Classical Music, Devieilhe, Sabine, Emmerich, Roland, Movies, Mozart, The Magic Flute (Movie), The Magic Flute (Opera)
←Walgreens Loses Contract With California Over Stance on Abortion Pill
A Peek Behind the Bloodstained Curtains of the Blacklips Performance Cult→

More posts

  • New CEO Steve O’Donnell vows to unite NASCAR and return the fun

  • ‘Fallout’ Cast & Creators On Navigating A World Full Of Complicated Characters Who Might “Bring A Gun To A Knife Fight” — Contenders TV

  • Fans Dance to ‘Michael’ Biopic in Theaters During Debut Weekend

  • Camilla takes missing Winnie-the-Pooh stuffed toy to New York to complete set

About Us


Support Us

Trademark & Copyright 1998 – 2025 · MOSAEC

  • Facebook
  • Instagram
  • LinkedIn
  • YouTube