A Triumphant Baritone in a Dystopian ‘Macbeth’ Opens the Met Opera Season

The New York Times – Music:

Quinn Kelsey commandingly charts each step in Macbeth’s decline in Louisa Proske’s postapocalyptic setting of Verdi’s opera, which opened the Metropolitan Opera’s season.

Oussama Zahr
Author: Oussama Zahr

This post first appeared in The New York Times – Music. Read the original article.