Blue, Angel – MOSAEC

Review: ‘Ainadamar’ Fills the Met Opera Stage With Flamenco

Osvaldo Golijov and David Henry Hwang’s opera, inspired by the life of Federico García Lorca, arrived at the Met with a dizzying blend of styles.

By Joshua Barone

On the trail of Ralph Fiennes in 1990s Manhattan, the esteemed novelist pays a visit to a burlesque club.

By Giulia Melucci

The tenor sang the role of Ruggero in a revival of Puccini’s opera that was performed with such restraint, it verged on overly careful.

By Oussama Zahr

Starring a magnetic Aigul Akhmetshina, Carrie Cracknell’s lethargic staging updates Bizet’s opera to present-day America.

By Zachary Woolfe