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‘Die Tote Stadt’ and ‘L’Amant Anonyme’ Return to Opera Stage
Posted inBoston Symphony Orchestra Boulogne, Joseph (1745-99) Die Tote Stadt (Opera) Korngold, Erich Wolfgang LAmant Anonyme (Opera) Opera Opera Philadelphia

‘Die Tote Stadt’ and ‘L’Amant Anonyme’ Return to Opera Stage

Rarities that deserve their place in opera returned to stages last week: “Die Tote Stadt,” in Boston, and “L’Amant Anonyme,” in Philadelphia.
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Posted by By David Allen and Joshua Barone
‘The Chevalier’ Review: A Music-Theater Portrait of Joseph Boulogne
Posted inBoulogne, Joseph (1745-99) Classical Music Loew's 175th Street Theater/United Palace of Cultural Arts (Manhattan, NY) Mozart, Wolfgang Amadeus Race and Ethnicity The Chevalier (Play)

‘The Chevalier’ Review: A Music-Theater Portrait of Joseph Boulogne

“The Chevalier,” an intriguing music-theater hybrid, unwraps the still little-known life and work of this 18th-century composer.
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Posted by By Anastasia Tsioulcas
Camaraderie and Visibility: A Festival for Black Classical Musicians
Posted inBlack People Boulogne, Joseph (1745-99) Classical Music Ellis, Monica (Musician) Gateways Music Festival Imani Winds Koonce, Lee League of American Orchestras Rashad, Phylicia

Camaraderie and Visibility: A Festival for Black Classical Musicians

“You feel like you’re home,” a bassoonist said of the Gateways Music Festival, which for 30 years has provided Black musicians with performing opportunities.
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Posted by By Steve Smith
‘Chevalier’ Review: A Black Virtuoso Rocks the Court of Marie Antoinette
Posted inBoulogne, Joseph (1745-99) Chevalier (Movie) Harrison Jr., Kelvin Movies Mozart, Wolfgang Amadeus Williams, Stephen

‘Chevalier’ Review: A Black Virtuoso Rocks the Court of Marie Antoinette

A new movie about Joseph Bologne, the Chevalier de Saint-George, may owe as much to “Bridgerton” as it does the history books.
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Posted by By Lisa Kennedy

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