For Jonathan Tunick, an early love of “Tubby the Tuba” led to a career as an orchestrator. He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.”
“The lessons that New York has for you around every corner — it was a big part of my young adulthood, this city,” said the singer-songwriter, who will make her Broadway debut in “Hadestown.”
The British director Carrie Cracknell’s production, opening on New Year’s Eve, resists the idea that the opera’s climactic scene is a crime of passion.