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He Quit Singing Because of Body Shaming. Now He’s Making a Comeback.

The New York Times – Music:

The tenor Limmie Pulliam, who made his debut at Carnegie Hall on Friday, hopes to break barriers for larger artists.

Javier Hernandez
Author: Javier Hernandez

This post first appeared in The New York Times – Music. Read the original article.

Written by

Javier C. Hernandez

in

Black People, Carnegie Hall, Classical Music, Content Type: Personal Profile, Metropolitan Opera, Opera, Pulliam, Limmie, The Ordering of Moses (Musical Work)
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