Bogdan Roscic and Lotte de Beer are shaking the dust off Vienna’s two biggest repertory companies.

Zack Winokur, an ambitious dancer-turned-director, now has a New York stage to call his own as the park’s artistic leader.

It is nearly impossible to stage Stockhausen’s seven-opera cycle “Licht.” But “Inside Light” brings a portion of it to the Park Avenue Armory.

Jaap van Zweden returned to the New York Philharmonic to lead some of his final programs as the orchestra’s music director.

Robert Ashley’s 1994 opera “Foreign Experiences,” a portrait of a paranoid mind in free fall, is part of a wave of revivals following his death.

Asmik Grigorian, a star singer abroad, made her Metropolitan Opera debut by lending lyricism, complexity and spontaneity to a classic role.

In an interview, Blain-Cruz explained why an oratorio like John Adams and Peter Sellars’s “El Niño” is more difficult to stage than the usual opera.

The Danish String Quartet returned to Carnegie Hall with its Doppelgänger project, pairing Schubert’s String Quintet and a premiere by Adès.

The composer Matthew Aucoin, Graham’s former student, and the director Peter Sellars have adapted her poems into the operatic “Music for New Bodies.”

Nadia Boulanger’s “La Ville Morte” was repeatedly thwarted by death and World War I, then nearly lost. Finally, it is having its American premiere.