Greenwell’s “What Belongs to You” reaches the opera stage with a team that includes the composer David T. Little and the director Mark Morris.

“Indra’s Net,” coming to the Park Avenue Armory, shows off the polymathic Monk’s artistry as she enters her 60th season as a performer.

Jeanine Tesori and George Brant discuss the first time they heard “Grounded,” and how they instantly knew what they would change for the Met.

Osvaldo Golijov’s Lorca-inspired opera comes to New York, and the pianist Igor Levit plays with the Cleveland Orchestra, among other highlights.

As subscriptions face an uncertain future, classical music could look to the membership models of streaming services and gyms for inspiration.

The Salzburg Festival is synonymous with excellence and fame. But it’s also a place where artists on the cusp of stardom can shine.

The Salzburg Festival is synonymous with excellence and fame. But it’s also a place where artists on the cusp of stardom can shine.

Over 25 years, through crises and a changing world, Michael Haefliger has made the Lucerne Festival in Switzerland as we know it.

With an opera at the Salzburg Festival and recordings on Deutsche Grammophon, the music of Mieczyslaw Weinberg may be taking root.

Salonen, who will soon be a free agent for the first time in decades, could do pretty much anything at this stage. What will it…