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Review: A Revolution Without Poetry in the Met Opera’s ‘Chénier’

Umberto Giordano’s tragedy of love undone by the French Revolution has returned, but as an evening of coarse music making.

Corinna da Fonseca-Wollheim
Author: Corinna da Fonseca-Wollheim

Written by

Corinna da Fonseca-Wollheim

in

Giordano, Umberto, Golovatenko, Igor, Metropolitan Opera, Opera
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