• Home
  • Journalists
    • Headlines
  • Community
    • Businesses
    • Jobs
    • Learning
    • Marketplace
  • Store
(@)

Review: ‘Carmen’ Returns to Its Comic Opera Roots

The New York Times – Music:

MasterVoices sheds the typical grand-opera treatment of Bizet’s classic to reveal a sleeker, funnier show.

Seth Colter Walls
Author: Seth Colter Walls

This post first appeared in The New York Times – Music. Read the original article.

Written by

Seth Colter Walls

in

Carmen (Opera), Harnick, Sheldon, MasterVoices, Opera, Orchestra of St Luke’s, Sperling, Ted
←‘New York, New York,’ a Film-Inspired Homage, Plans Broadway Bow
Anne Hathaway Reacts To ‘Devil Wears Prada’ Fan Theory That Nate Was The Villain→

More posts

  • Murphy warns Ellison, other ‘information oligarchs’: Dems will break up big media

  • Stephen And Ayesha Curry Reintroduce PLEZi Hydration With A New, Family-Focused Approach

  • Saturday Sessions: The Milk Carton Kids perform “A Friend Like You”

  • Saturday Sessions: The Milk Carton Kids perform “I’ll Go Home From Here”

About Us


Support Us

Trademark & Copyright 1998 – 2025 · MOSAEC

  • Facebook
  • Instagram
  • LinkedIn
  • YouTube