Michael Gordon and Richard Foreman’s “What to Wear” at BAM is a visually rich, textually odd work — and a hot commodity.

Two workmanlike pieces by the teenage Bach had their New York premiere at the Chamber Music Society of Lincoln Center.

Umberto Giordano’s tragedy of love undone by the French Revolution has returned, but as an evening of coarse music making.

At the New York Philharmonic, concertos by Samuel Barber and Wynton Marsalis offered contrasting musical ideas: lyrical cohesion and vibrant pluralism.

Thomas de Hartmann’s Violin Concerto was long neglected but is now being championed by Joshua Bell, while Ukraine is once again under attack.

Earlier this month, the Metropolitan Opera opened “La Sonnambula.” Now, it is offering another bel canto classic: “La Fille du Régiment.”

In two programs with the New York Philharmonic, Esa-Pekka Salonen has constructed a moving exploration of musical legacy.

Rolando Villazón’s lucid and thrillingly sung production of Bellini’s opera stars a resplendent Nadine Sierra.

For a music critic, drawing the violinist Jennifer Koh was a balancing act between perception and creation, not unlike criticism itself.

Pene Pati made his New York recital debut at the Armory with a program that showcased his voluptuous voice and revealed a chamber musician’s sensitivity…