Facing tepid ticket sales, the company will withdraw up to $30 million from its endowment and stage more operas by living composers, which have been outselling the classics.
Julie Taymor’s version of Mozart’s opera, a fairy tale of puppets and plexiglass, achieves its finest form in the Met’s condensed version for families.
Hackers had left the Met, the largest performing arts organization in the United States, unable to sell tickets as it tries to recover from the pandemic.