The strong-willed singer, returning in “Tosca,” was long one of the Metropolitan Opera’s star sopranos. But in the past decade, her appearances have been rare.
The company cut ties with the star Russian soprano for her refusal to denounce Vladimir Putin after the invasion of Ukraine. An arbitrator said it must pay her under the terms of her contract.
François Girard’s staging, originally a co-production with the Bolshoi Theater, arrives a year after its Moscow premiere, which coincided with Russia’s invasion of Ukraine.
Facing tepid ticket sales, the company will withdraw up to $30 million from its endowment and stage more operas by living composers, which have been outselling the classics.